Byte magazine artist Robert Tinney, who illustrated the birth of PCs, dies at 78

February 12, 2026

Here’s something that might surprise you — Robert Tinney, the artist behind those iconic Byte magazine covers, just passed away at 78. And honestly, his work shaped how we saw personal computers long before the tech was mainstream. According to Benj Edwards writing in Technology, Tinney’s surrealist-inspired airbrushed paintings brought clarity to the abstract world of AI, networking, and programming. He didn’t just illustrate; he created a visual language that a whole generation of enthusiasts grew up with. What’s fascinating is that Tinney spent about a week on each cover, blending intense colors with influences from Magritte and Escher, as he told Vintage Computing. His work made the future seem almost surreal — fitting for a time when personal computing was just starting to take off. So, what does this mean? Tinney’s art wasn’t just pretty pictures; it helped define the look and feel of an emerging digital world. And get this — his influence lives on, inspiring how we visualize tech today.

On February 1, Robert Tinney, the illustrator whose airbrushed cover paintings defined the look and feel of pioneering computer magazine Byte for over a decade, died at age 78 in Baker, Louisiana, according to a memorial posted on his official website.

As the primary cover artist for Byte from 1975 to the late 1980s, Tinney became one of the first illustrators to give the abstract world of personal computing a coherent visual language, translating topics like artificial intelligence, networking, and programming into vivid, surrealist-influenced paintings that a generation of computer enthusiasts grew up with.

Tinney went on to paint more than 80 covers for Byte, working almost entirely in airbrushed Designers Gouache, a medium he chose for its opaque, intense colors and smooth finish. He said the process of creating each cover typically took about a week of painting once a design was approved, following phone conversations with editors about each issue's theme. He cited René Magritte and M.C. Escher as two of his favorite artists, and fans often noticed their influence in his work.

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On February 1, Robert Tinney, the illustrator whose airbrushed cover paintings defined the look and feel of pioneering computer magazine Byte for over a decade, died at age 78 in Baker, Louisiana, according to a memorial posted on his official website.

As the primary cover artist for Byte from 1975 to the late 1980s, Tinney became one of the first illustrators to give the abstract world of personal computing a coherent visual language, translating topics like artificial intelligence, networking, and programming into vivid, surrealist-influenced paintings that a generation of computer enthusiasts grew up with.

Tinney went on to paint more than 80 covers for Byte, working almost entirely in airbrushed Designers Gouache, a medium he chose for its opaque, intense colors and smooth finish. He said the process of creating each cover typically took about a week of painting once a design was approved, following phone conversations with editors about each issue's theme. He cited René Magritte and M.C. Escher as two of his favorite artists, and fans often noticed their influence in his work.

Read full article

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